![]() ![]() Such displays have value but no more than a typical bulletin board or chalkboard display. Teachers can provide a list of high frequency words (e.g., the, of, is, are, to) or lists of words that demonstrate particular spelling/ pronunciation patterns (e.g., can, man, pan, fan), morphological elements (e.g., s, es, ed, ing), or semantic relationships (e.g., transportation, air, land, water, boat). It accumulated as kids learned – providing a motivational bump (“look at all the words you’ve learned”). ![]() One of the ideas of the word wall was that it was developmental. That, of course, was not what Pat Cunningham was going for. That kind of thing can be a useful teaching tool, better than a whiteboard since it doesn’t have to be erased. Typically, such presentations list important points or reveal relationships (think of a list of classroom rules, a map of the United States with the states labeled, or a diagram revealing the parts of a cell or atom). Let’s think about what a word wall may provide to learners.Ī word wall can be just another display of information. What I will offer here will be opinions which may or may not be better than anyone else’s. I can’t tell you – based on any direct study -whether word walls, used in any way, are beneficial or not. Research is mute on this issue.Īlthough word walls have come in and out of fashion for 30 years, there isn’t a single published study on their effectiveness and the handful of relevant doctoral dissertations aren’t particularly helpful. As usual, my first concern was, “What does the research have to say?” That’s easy. Your question, and those sound walls that you asked about got me thinking. Those newer word walls focused on word meanings and I liked those a whole lot. ![]() Then I started to see some other uses for the word wall idea, often with older students. Copying spellings does little for building word knowledge. That gives them a lot of practice with phonemic sensitivity and decoding/encoding and provides the teacher with diagnostic information. I’d much rather have kids try to spell words as they think they are spelled. In K-2 (the grades in which word walls were so popular), that’s not the best kind of spelling support. During writing the kids could look up words they weren’t sure how to spell. The other popular use of the word walls was as spelling aides. Those word walls were an opportunity for the good readers to show off and for the poor readers to languish, a time waster at best. Often, they were mouthing without even looking at the words. I put reading in quotes there because I’d watch the kids while they put on these performances. Teachers, for instance, had students “reading” the words in unison to reinforce sight vocabulary. The two major ways I saw them being used made no sense to me. To tell the truth, while I like many of Pat’s instructional approaches (like “breaking words”), I was not a big fan of word walls. Patricia Cunningham’s “four block” was very popular and many teachers (and administrators) thought the epitome of high quality teaching was best demonstrated by lists of alphabetized high frequency words hanging from the classroom walls (Cunningham, 1991). Word walls?… man, I saw a lot of word walls during the 1990s. Usually when I think of word walls, one of the main focuses is either patterns, or meaning. They can be used to highlight word families, word meaning, word patterns for spelling and for affixes, or even vocabulary terms students have learned. A word wall can be a broad term that can include multiple ways of highlighting words in the classroom. I think these types of walls would be seen more in PreK, K and maybe 1st grade in the first semester. ![]() What are your thoughts about sound walls and word walls? I don't necessarily think these would replace a word wall.do you? The video and training can be found here for sounds walls: My response was this: I think for oral language, phonemic awareness and phonics the sound walls are awesome, and very helpful visually for beginning readers to unlock how sounds, symbols and words are put together. ![]()
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![]() ![]() Bitwig Studio 2’s unified mapping system allows you to modulate any device or VST parameter using macro controls and modulator devices.Įxplore a new world of creative possibilities, including audio and note expressions, histogram-based value editing, layered editing, extensive bounce-in-place functions, automatic slicing, smart controller integration, and the Open Controller Scripting API. Combine built-in instruments, effects, and VST plug-ins. Design your own sounds with dedicated container devices. Record and arrange, improvise and perform, or do it all at once. With Bitwig Studio 4.2 you’re in command of a workflow that works best for you. Streamline your creative process and quickly take your music from ideas to complete songs, tracks and compositions. Bitwig Studio 4.2 inspires you to take greater control of your productions, giving you access to every aspect of your workflow as needed. The 8-track and 16-track versions are also on sale.Bitwig Studio 4.2 is a dynamic software solution for music creation and performance to realize all of your musical ideas in every stage of production.įrom sound design to music creation, discover the new standard in customized workflow. During the Summer Sale, you get Bitwig S. The new updates bring beautiful new devices with which you can explore many new sounds.īitwig Studio 4.3 update is available now as a free download for anyone with an active upgrade plan. And lastly, it also includes full support for the new CLAP plugin format developed by Bitwig and u-he.īitwig Studio is growing and growing. It also comes with a new Lowpass MG module that emulates the classic Bob Moog filter and mix bus.įurther, you can benefit from several other updated modules with new features including Lowpass SK, Comb, and various envelope modules.īesides this, Bitwig Studio 4.3 also ships with a new Perfect Drift sound pack where the sounds “embrace asymmetries and inconsistencies to approximate analog’s imperfect beauty”, says the sound designers. Unison is a new oscillator that lets you blend square, saw, and triangle wave shapes in a drifting output. Bitwig Studio 4.3 update also brings two new modules for the Grid and Polymer synth. All this is possible due to the unique Bitwig modular engine. ![]() Nice, you can also insert other devices or even VST plugins into the feedback loop that gives you almost endless options for wild experimentations. There are also various blur options for ambient-style diffuse, reverb-like textures, and a ducking feature. You can adjust in milliseconds or beats and nudge each channel independently to create stereo effects. Then, you can explore Delay+, a new versatile stereo delay device. ![]() The device can be adjusted with color, tone, and width parameters. So you can create other effects using the Convolution engine. Pretty impressive is that you can use any audio as an impulse which opens the door to new sound design adventures. Bitwig ships it with 270 ready-to-use impulse responses and has the ability to load your own IRs. It’s mainly known in music production for convolution reverbs. The first new addition is the Convolution device which is a flexible IR loader. It includes new devices for adding space and dimension to your tracks/mixes as well as new modules for Grid and Polymer. The new Bitwig update 4.3 runs under the name “Space & Tone” and tells you what to expect here. Today the 4.3 was released from the beta cage and the update is now officially out. At Superbooth 22, the young company from Berlin announced update 4.3 with numerous new features. Started as an “Ableton Live-inspired DAW”, Bitwig Studio has evolved into an impressive modular DAW over the past few years. ![]() Bitwig Studio 4.3, initially announced at Superbooth 22 is out now with new space and tone related devices including new convolution and delay devices. ![]() ![]() ![]() Those kinds of applications are courting a similar kind of human connection as Deep Nostalgia. The payoff, experts say, is that the consumer can feel more attached to a brand or a product by seeing the specific way it would fit into their life – on a model with similar proportions, in their own language, or in a micro-targeted ad that speaks to their interests. When it’s a beloved relative occupying that almost-but-not-quite space in reality, the parts of our brain that love and fear are pitted against each other, even if we know full well that what we’re looking at isn’t real.ĭeepfakes, which are a sophisticated melding of synthetic audio and images, have been a point of contention for digital ethicists for years, especially when it comes to issues like altered pornography and fake videos that could threaten national and financial institutions.įor a more positive application, companies have been turning to the technology more and more to create widely customizable ad campaigns. ![]() “Indeed, the results can be controversial and it’s hard to stay indifferent to this technology,” their FAQ page reads. Even MyHeritage addresses this reaction in their explanation of the program. This is commonly called the uncanny valley, and a lot of deepfakes and AI-driven image manipulations set off this ancient alarm bell. Our brains, as sophisticated as they are, have a prehistoric response to things that are almost human, but not quite. When you see your grandmother or Mark Twain come alive, there’s something fascinating about it.”įascinating – and yes, a little frightening. “The draw here is that visual imagery is visceral and compelling and we respond to it,” says Hany Farid, associate dean and head of the School of Information at UC Berkeley. Responses to the Deep Nostalgia images – tears at seeing a grandmother’s smile, an eerie feeling of connection to a long-dead historical icon – knock on a mysterious emotional wall between us and this type of rapidly-evolving technology. Together it creates, if not an entirely natural effect, than a deeply arresting one. It also makes up for little moments that aren’t in the original photo, like the reveal of teeth or the side of a head. Users are invited to supply old photos of their loved ones, and the program uses deep learning to apply predetermined movements to their facial features. His animated image and others like it – at the same time unsettling, emotional, and a bit fantastical, are made possible by Deep Nostalgia, an artificial intelligence program from the genealogy platform MyHeritage.Īs far as AI-animated images go, the technology behind these Harry Potter-esque photos isn’t particularly complex. And yet, there he is, blinking and nodding as if he were just alive yesterday, as if he hadn’t died in 1895, years before film recording became commonplace. It’s hard to explain the mix of emotions that spark upon seeing a photo of Frederick Douglass come alive with the click of a button. ![]() ![]() You can also manually your time zone information using the free Microsoft tool: Windows Time Zone Editor tzedit.exe Alternatively, the Windows Server 2003 Resource Kit Tools reportedly includes a command line timezone.exe tool for advanced users. If Windows isn't handling it correctly, it most likely needs to be updated. As long as Windows is configured correctly, it should automatically handle daylight savings changes for you. Daylight savings time isn't be honoured correctly: NetTime works internally with UTC (Universal Time) and doesn't have any code for handling daylight savings or time zones. ![]() ![]() NetTime is syncing, but the time is out by an hour - e.g. Possible solutions are to either remove all but one server address - in which case, the time returned by it will always be used - even if it's invalid, or change your servers - if you're using the NTP Pool servers, then you should point to the servers for a larger geographic area. If it can't find a unique secondary server that provides a time which is a close fit to the time returned by the primary server, it will fail with "Inconsistent Responses" The most common causes for this is if multiple servers are configured but point to the same IP address, or you're using the default servers and you are in a region with only 1 actual server in the NTP Pool. NetTime is failing to sync - it reports that it had "Inconsistent responses" If there is a large time difference between the local system and the time returned by the time server, NetTime will automatically check with a secondary server to ensure that the time that it has received is actually valid. If you can run a UDP traceroute to port 123 on one of the time servers that you're using, that should give you an indication of where the firewall is located. If you have temporarily disabled all firewalls that you know of and continue to have this problem, then it's almost certainly a firewall that you aren't aware of. ![]() It's not always obvious that a firewall even exists as they generally allow regular web traffic to pass normally. NetTime is failing to sync - it reports that all servers failed: The most common cause of this error is that a firewall is blocking the Network Time Protocol (UDP Port 123) between your system and the servers that NetTime is attempting to use. If you uninstall the old version first, you will need to restart your computer before starting the new installer. Note: When upgrading from a previous version, you will need to shut down both the NetTime Service as well as the Tray Icon before running the installer. Previous versions as well as the source code can be downloaded from the SourceForge project page Version 3.20 Alpha 3 - Latest Test Version: Version 3.20 Alpha 1 - Previous Test Version: If you find NetTime useful, please consider making a donation to show your appreciation and to encourage further development of NetTime! The NetTime project has been resurrected by myself, Mark Griffiths, and I'm now making an updated version available here: Graham made a number of updates to the program until he lost interest and finally abandoned the project officially on the 1st of July 2004. NetTime was originally written by Graham Mainwaring in 1997 with an open source release made in 1998. ![]() If you're looking for a program to keep your system time accurate, you've just found it! (32 bit and 64 bit operating systems are both supported) NetTime - Network Time Synchronization Tool NetTime ![]() ![]() ![]() With sweeping views of the Pacific Ocean, Terranea Resort serves as a one-of-a-kind oceanfront luxury destination resort on the Southern California coast. List link download lagu Duran Duran Ordinary World Karaoke (01:08. Indulge with a host of luxurious amenities including delectable dining, award-winning golf, four swimming pools, boutiques, and adventures on land and at sea – join us for a truly immersive sense of wonder along the Palos Verdes Peninsula. Duran Duran Ordinary World Karaoke mp3 download (1.8 MB - 2.17 MB), HD Video 3gp & mp4. 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The ultimate luxurious oceanfront getaway, Terranea is a world unto itself where you can explore and discover 102 awe-inspiring acres of inspirational coastal setting and a unique combination of panoramic views, personalized service, and unparalleled refinement. ![]() ![]() ![]() Screen this is usually called stdscr after the name of theįrom curses import wrapper def main ( stdscr ): # Clear screen stdscr. Initscr() returns a window object representing the entire Terminal type, send any required setup codes to the terminal, andĬreate various internal data structures. This is done byĬalling the initscr() function, which will determine the Starting and ending a curses application ¶īefore doing anything, curses must be initialized. It will, however, give you the basic ideas. That, see the Python library guide’s section on ncurses, and the C manual pagesįor ncurses. It doesn’t attempt to be a complete guide to the curses API for This HOWTO is an introduction to writing text-mode programs with cursesĪnd Python. Python interface makes things simpler by merging different C functions such asĪddstr(), mvaddstr(), and mvwaddstr() into a singleĪddstr() method. ![]() The Python module is a fairly simple wrapper over the C functions provided byĬurses if you’re already familiar with curses programming in C, it’s reallyĮasy to transfer that knowledge to Python. A ported version called UniCurses is available. The Windows version of Python doesn’t include the curses Versions of curses carried by some proprietary Unixes may not support Since most current commercial Unix versions are based on System VĬode, all the functions described here will probably be available. Open-source Unix such as Linux or FreeBSD, your system almost certainly uses Open-source implementation of the AT&T interface. Is no longer maintained, having been replaced by ncurses, which is an Versions of Unix from AT&T added many enhancements and new functions. The curses library was originally written for BSD Unix the later System V Or dialogs if you need such features, consider a user interface library such as cursesĭoesn’t provide many user-interface concepts such as buttons, checkboxes, Need to be sent to the terminal to produce the right output. The contents of a window can beĬhanged in various ways-adding text, erasing it, changing itsĪppearance-and the curses library will figure out what control codes Programmer with an abstraction of a display containing multiple The curses library provides fairly basic functionality, providing the Installers and kernel configurators that may have to run before any One niche is on small-footprint or embedded True that character-cell display terminals are an obsolete technology,īut there are niches in which being able to do fancy things with themĪre still valuable. ![]() In a world of graphical displays, one might ask “why bother”? It’s Different terminals use widely differingĬodes, and often have their own minor quirks. To perform common operations such as moving the cursor, scrolling the Display terminals support various control codes Include VT100s, the Linux console, and the simulated terminal providedīy various programs. Keyboard-handling facility for text-based terminals such terminals The curses library supplies a terminal-independent screen-painting and This document describes how to use the curses extension ![]() ![]() He will offer you a reward for the safe return of Sammuel, one of his men.
![]() After you download them, the two scripts will open and install themselves into services. The app is actually a Ruby Script embedded in Automator. There is support for custom URLs and iTunes affiliate accounts. Brett Terpstra, shell scripter to Mac geeks worldwide, has designed an OS X service to let you to easily convert any links in text to a simple bity.ly link. Beats is free to download with a 14 day trial on the App Store.īit.ly is a service that everyone uses, or likely keeps a bookmark handy or a browser plug in running for. What Sucks: Sentence feature isn’t useful for people with more obscure tastes, hard to get variety in radio.īuy it?: If you’re into pop music, or mainstream ideas about genres, this might be an app worth checking out. What’s Good: Like all streaming apps, good cross section of genres and artists available. Though they may help bring iTunes into the streaming era, Beats does nothing but cozy Apple up to the very music industry that impedes progress. Likely, this comes from the fact that Beats comes from music industry insiders, and like all music industry insiders they need to dumb things down into buzzwords. The genres aren’t anything more than a radio programmer’s idea of genres, and the moods seem like they were written by someone who spent ten minutes on Twitter and now they understand “the youths.” Who’s in the mood to make bad choices or pre-partying while at work with their boo? Seriously this is the sort of pandering youth culture bullshit that made me stop listening to the radio in the first place. Problem is, and I’m likely putting on my old guy hat here, the sentence is idiotic. You can re-edit the station to tweak it if you don’t like the creation. You then get a radio station customized to your mood. This allows you to create a radio station based on location, activity, mood, company and genre. (For instance I wasn’t able to find Led Zeppelin on Beats, but all their albums are on Spotify.) The interface for searching and listening to music is easy enough, but the central premise of the service is The Sentence. The catalog isn’t the problem, the music industry ensures that all steaming services seem to have the same catalog with some spotty and rolling differences. Since Beats’ streaming service was supposedly the reason Apple was shelling out so much cash for the company, I’m using the new iPad app. What sucks is that their effort is so mediocre. Dre and Trent Reznor on board might be the only way to make music nerds pay attention to yet another streaming service. Then you have to go with Emulator mandatorily.Making the case for a new streaming service is tough, but having Dr. Most of the Android app has not the EXE (executable file of InstaShare 2) or DMG (Disk Image file of InstaShare 2). But you have to prefer the 32bit or 64bit properly. If found the InstaShare 2.exe or InstaShare 2.dmg, then download the versions you want. 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Finally, click on the Install option under the official logo of the InstaShare 2 appīonus Tips: Most of the time, BlueStacks takes some more seconds on the first run.Note: if not found on the play store, then download it from below. Fourthly, start searching- “InstaShare 2”.Or, if you have the APK, just drag it on the BlueStacks. Thirdly, register or log in on the Google Play server.Secondly, start the engine on the computer.Firstly, go for download to install BlueStacks on PC.It has both edition EXE for Windows and DMG for Mac. Choose any one from the following three guides.Īlso Read: How To Download, Install, Play Or Use Android Apps On PC, Mac #1 Steps To Install InstaShare 2 via BlueStacks On Windows & MacīlueStacks is a virtual Android engine to run the InstaShare 2 application on a computer. Here you will get three new technical tips to emulate InstaShare 2 APK on your computer. ![]() ![]() Phil Jr., who was just out of college and helped with actual construction of the restaurant - completed by Gaffney Construction in 1996 - said his parents worked 14-hour days to get the restaurant up and running. And it’s OK for a restaurant to have a brewery in the back room.”Īnd so the Scuttlebutt restaurant was born along with the brewery. “The zoning code wouldn’t allow a brewery,” Bannan said, “but it’s OK to have a restaurant. Plans for a microbrewery changed course when it was discovered that zoning laws didn’t jibe with a brewery at the favored site on West Marine View Drive in Everett. “I told Phil he wasn’t getting any younger,” she said, “and ‘if you’re going to do it, you’d better do it now.’” His wife, now 71, was right there with him. “They were growing at a phenomenal rate,” he said, “and it was the right time in our lives to make a change.” Turns out, the beer he was able to make from it was pretty good, Bannan said.Ĭoupled with the fact that craft breweries seemed to be popping up everywhere, it got Bannan to thinking about starting his own microbrewery. “Everybody else had animals or mountains.”īack to that home-brewing kit. “Phil just ran out of ideas,” she said, laughing. Mostly, she feels honored the company bears her old nickname, she said, though she doesn’t take it too seriously. After begging him to stop when she turned 13, he dropped the “butt” and she’s been “Scuttle” ever since. Born to a Navy family in Norfolk, Virginia, Cynthia Bannan’s father gave her the nickname because her impending birth had been the scuttlebutt, or gossip, of the base. ![]() She’s the “Scuttlebutt” of the enterprise. “I’d seen an article about home brewing and I said, ‘Hey, that looks like fun,’” Bannan said. That family business, which today employs about 75 people, started with a home-brewing kit Bannan’s wife bought him in 1990. Said Cattle, “He’s contributed significantly to the community through his public service, and he’s built a great family business.” “Phil is such a terrific gentleman and a good person, I’m really glad he was chosen Entrepreneur of the Year,” Langus said. ![]() Others agreed, including Langus and Port of Everett attorney Brad Cattle. “I just think he’s as good as you’ve got in Everett,” Lane said. ![]() “He’s a self-starter, he’s loyal and he has vision,” Lane said.Īdd to that a willingness to do whatever needs to be done - whether it be sweeping the floor or hefting beer kegs - as well as a propensity to think things through before taking action, and it’s clear Bannan is the right guy for Entrepreneur of the Year, he said. said.Ĭar dealership owner Dwayne Lane, a regular at the restaurant, said he has a lot of respect for Bannan. His father is a very smart man and a good sounding board, Phil Jr. He and his wife have four grown children: Maggie, twins Judy and Janet and son, Phil Jr., who manages the restaurant. These days Bannan, 75, owns a microbrewery near downtown Everett and a restaurant on the waterfront. ![]() |